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	<title>Janus Thinking &#187; FT</title>
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	<description>Janus Thinking enables brand owners to personalise luxury for every customer</description>
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		<title>Serpentine Gallery Fosters Connoisseurship</title>
		<link>http://www.janusthinking.com/2008/03/gallery-fostering-connoisseurship/</link>
		<comments>http://www.janusthinking.com/2008/03/gallery-fostering-connoisseurship/#comments</comments>
		<pubDate>Tue, 04 Mar 2008 17:11:39 +0000</pubDate>
		<dc:creator>Isaac Mostovicz</dc:creator>
				<category><![CDATA[Luxury Marketing]]></category>
		<category><![CDATA[Connoisseurship]]></category>
		<category><![CDATA[FT]]></category>
		<category><![CDATA[meaning of luxury]]></category>
		<category><![CDATA[Serpentine Gallery]]></category>

		<guid isPermaLink="false">http://janusmigration.glasshousepartnership.com/?p=157</guid>
		<description><![CDATA[Recently the Financial Times reported on Future Contemporaries, a new group founded by London&#8217;s Serpentine Gallery for the purpose of making younger people (under the age of 39) enthusiastic about art (and perhaps interested in becoming benefactors of the Serpentine). For £1000 annually, the Serpentine offers members a contemporary art education programme that it hopes [...]]]></description>
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<p>Recently the Financial Times <a href="http://www.ft.com/cms/s/0/bf123d28-db64-11dc-9fdd-0000779fd2ac.html">reported</a> on Future Contemporaries, a new group founded by London&#8217;s <a href="http://www.serpentinegallery.org/">Serpentine Gallery</a> for the purpose of making younger people (under the age of 39) enthusiastic about art (and perhaps interested in becoming benefactors of the Serpentine). For £1000 annually, the Serpentine offers members a contemporary art education programme that it hopes will encourage a lifelong appreciation of art. The group has been to private showings in artists&#8217; studios and has had personal tours by artists in private gallery settings. A membership cap of about 100 helps to keep to keep the group exclusive and also of a manageable size for intimate events.</p>
<p>It&#8217;s a great idea for a gallery with art worth appreciating to encourage connoisseurship. Oftentimes people need a little guidance as they begin down the road to connoisseurship&#8211;and the experts at a gallery are just the people to provide it.</p>
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		<title>&#8216;How to Spend It&#8217; Highlights</title>
		<link>http://www.janusthinking.com/2007/10/how-to-spend-it-highlights/</link>
		<comments>http://www.janusthinking.com/2007/10/how-to-spend-it-highlights/#comments</comments>
		<pubDate>Mon, 15 Oct 2007 20:07:36 +0000</pubDate>
		<dc:creator>Isaac Mostovicz</dc:creator>
				<category><![CDATA[Luxury Marketing]]></category>
		<category><![CDATA[Bernard Magrez]]></category>
		<category><![CDATA[FT]]></category>
		<category><![CDATA[How to Spend It]]></category>
		<category><![CDATA[luxury trends]]></category>

		<guid isPermaLink="false">http://janusmigration.glasshousepartnership.com/?p=116</guid>
		<description><![CDATA[The latest issue of the Financial Times&#8217; How to Spend It supplement came out on Friday (October 12), and not unexpectedly it includes some great stories about luxury. My personal favorites: The Reign of Terroir by John Stimpfig (p8)&#8211;a profile of Bernard Magrez, wine magnate. Magrez owns 35 wine estates around the world and is [...]]]></description>
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<p>The latest issue of the Financial Times&#8217; <a href="http://www.ft.com/htsi" target="_blank">How to Spend It</a> supplement came out on Friday (October 12), and not unexpectedly it includes some great stories about luxury. My personal favorites:</p>
<ul>
<li><em>The Reign of Terroir </em>by John Stimpfig (p8)&#8211;a profile of Bernard Magrez, wine magnate. Magrez owns 35 wine estates around the world and is rapidly buying up more. Output is about quality over quantity, thereby creating demand for a niche luxury product. He puts his umbrella brand name (Vignobles Bernard Magrez), picture and signature on every bottle he produces as a way to create competitive advantage, not for his own hubris or vanity. He says:</li>
</ul>
<blockquote><p>Compared to watches and fashion, wine is a much more complicated luxury good. So the message needs to be simpler and more recognizable. Moreover, the new affluent consumer wants to know the person behind the wine.</p></blockquote>
<ul>
<li><em>No Flowers Please</em> by Karen Wheeler (p15)&#8211;about how alpha women are wearing masculine scents in the workplace in order to project discrete power. Old favorites (Acqua di Parma, Terre d&#8217;Hermès) and new scents (Neroli Portofino by Tom Ford) are mentioned.</li>
<li><em>Take My Breath Away</em> by John Gibb (p19)&#8211;about the Javelin, a &#8216;Very Light Jet&#8217; that looks like a fighter jet and has space for one executive who needs to get somewhere in a hurry.</li>
<li><em>The Captain&#8217;s Table: Christophe Navarre</em> as told to Max de Lotbinière (p70)&#8211;on the philosophy and typical day of the Moët Hennessy CEO.</li>
</ul>
<blockquote><p>Moët Hennessy is in the business of luxury wine and spirits so the moment of eating and drinking is very important to us. We are selling <em>l&#8217;art de vivre à la française</em> &#8212; even when we are selling a malt whisky, with all the DNA that its brand has, we are still selling that essential French identity.</p></blockquote>
<p>This &#8216;How to Spend It&#8217; is a bonus issue and doesn&#8217;t appear to be online (yet?)&#8211;so have a look if you missed it in Friday&#8217;s FT.</p>
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